Every year Jim Goldstein runs a project on his blog, JMG Galleries, where he encourages photographers to post their best pictures of the year. It’s a great project and I’ve participated every year. When I started participating about 4 years ago I thought, “what a great way to have pictures seen by a whole new audience.”
That was me when I first started blogging but now there are so many other reasons that I participate. Yes I still like that fact that I may reach a new audience but more than that I find this to be a difficult and yet rewarding exercise. It’s tough to cull through your work and pick what you think may be the best of the year. It really gives me a chance to go though my images (some that I haven’t looked at for almost a year) and decide whether they’re good enough to make the cut of the top 10 or 15. I try to review my images from a technical perspective and from a creative one. Certainly I’m drawn to certain images due to the circumstances of where and when they were taken. The picks may not always be perfect and certainly wouldn’t win any awards but art is subjective and what one person views as a masterpiece another make look at and dismiss entirely.
It’s been a busy and rewarding year both on the photographic front and from a family and work stand point. I’ve taken on a new role at work which was unexpected at the beginning of 2015 but I am loving it. The only downside has been that its been so busy that my photography had to take a bit of a back seat.
From a photography perspective I’ve continued to sell prints and license new work which is always very exciting and rewarding. I won’t make any specific commitments for the new year because I know that my day job will still be taking up a lot of my time but learning new photographic techniques and honing my craft is something that I know will always be important and I will find and make the time to do it.
If you have a chance jump on over to Jim Goldstein’s site here in or about the second week of January and he should have a list of year in review post listed for your viewing pleasure. There’s always a great list of photographers on there, you won’t regret it.
As always you can click on the images to enlarge them or to Purchase a Print.
As I mentioned a couple of weeks ago I attended a workshop on Macro photography, specifically water drops with refracted images.
You can see those posts here and here. I’m by no means an expert (or even close) as I’m still practising and learning but I wanted to share with you the process and equipment you’ll need to create these images.
- Canon 7D
- Tamron 90mm Macros lens
- Vello Extension Tubes
- Canon Speedlight 580EX II
- Bower E-TTL Flash Extension Cord
- Third Hand Tools (to hold your flower, map, etc. You can find this at a hobby store).
- spray bottle with a mist spray
- a petal or stem that will hold the water droplets
- what you want refracted such as a flower or item
The set-up for this type of photography is quite simple and can be done just about anywhere. I set myself up on my kitchen table. For the photograph above I didn’t have any fresh flowers at home but I did have a fake one so I used that. It had a long stem which I twisted to create a stable base in order for the flower to sit on the table on its own.
I used a Third Hand tool to hold a Eucalyptus stem in place, directly in front of the flower. I then sprayed the stem with water. Now be careful on the type of spray bottle you use. The only one I had in the house only sprayed a stream of water not a mist spray. The stream is to strong to use on something more delicate such as milkweed. The Eucalyptus stem was strong enough to withhold the stream but I was only able to get a few drops on the leaves as opposed to a multitude of water droplets that a mist would create. The water drops act like a lens and anything that’s behind it gets refracted in the water drop.
As you’ll note in the equipment list above, I use my 90mm Macro lens with 3 extension tubes attached so that I can get as close as possible. The extension tubes will extend the reach of my lens so that I can get even closer to the object and be able to focus. I tried using my flash mounted onto my camera but I found I couldn’t direct the light the way I wanted. By using an off-camera flash cord it allowed me to hold my flash and direct it exactly where I wanted it. This does make it a bit tricky but I was able to balance my lens on my forearm to stabilize the camera. Getting a small table top tripod to mount the flash on is probably a good solution but until I get one this method will have to do.
You can click on the image to enlarge it. Oh and the Starbucks coffee is optional. Have fun.
I spent sometime over the weekend practicing the new macro skills I attained at last week’s workshop. I set everything up on my kitchen table but I wanted to try something different. Instead of using a flower as a backdrop I printed a map of downtown Toronto that I found on the internet to see how that would work as a refracted image.
Here it is and don’t forget click on the image to see a higher resolution version that’s much sharper. Stay tuned, later this week I’ll go through everything I use to create these types of images.
I attended a workshop this weekend with renowned photographer Don Komarechka on macro photography. Don presented at my photography club a couple of months ago and I was completely awestruck by his work.
After the club meeting I emailed Don and told him that a friend and I were interested in attending one of his semi-private workshops. While one of Don’s specialties is macro snowflake photography (you really need to check out his site) I wanted to learn how to photograph water droplets with a refracted image in them.
Here’s one of my images.
Click on the image to enlarge (it really does look better) or to Purchase a Print.
Welcome back! I hope everyone enjoyed the weekend. I know that it was a long weekend in the US and here in Ontario we enjoyed a long weekend with Family Day. It was nice to have the extra day off and enjoy some downtime with my family.
Last week I got inspired to try something new. I was on Rachel Cohen’s Photography site (if you haven’t visited you really must. Just click on the link) and she created an abstract from oil and water. Rachel was actually inspired to try this when she visited Beverly Everson’s Photography site (yes definitely check out her site as well). I actually commented on Beverly’s post and asked her how she achieved this look. A few minutes later I received an email from Beverly giving me instructions. I think I need a bit more practice but here’s my first attempt of some macro photography of oil and water.
Now I’m usually pretty good at following instructions but once I got myself all set up and I filled a shallow dish with oil and added a bit of water here’s what I came up with….
I actually liked how this came out but I thought “wow…why am I getting so many bubbles?” Well I went back to Beverly’s instructions and I realized that I was supposed to fill a shallow dish with water first and then add a bit of oil….Duhh. For the image above I had my dish suspended over a bowl of blue and green marbles. Now for the correct mix of water and oil I placed two tulip stems under my dish and here’s what I came out with.
Remember you can click on any image to enlarge (they really do look better) or to Purchase a Print.
It’s fun to experiment with something new.
A bit of a departure from what I’ve been posting lately but I thought I would mix things up a little. I was walking my dog on Saturday when I noticed some beautiful icicles forming on the tree outside my house. After we got in (and Brady got his treat) I grabbed my camera, put on my Tamron 90mm Macro lens and headed outdoors.
I processed the first image in Photoshop then ran it through Topaz Simplify to give it a bit more of a stylized look. You can download any of the Topaz plugins for a free trial and don’t forget to use the discount code ELPHOTO for a 15% savings.
Click on the images to enlarge (the detail is much better) or to Purchase a Print.
Disclaimer….no flowers were harmed in the making of this photograph.
This was shot through a piece of water-glass. The only post processing was a slight adjustment to levels in Photoshop.
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My contribution to this week’s challenge….
The yellow rose signifies friendship and caring so I thought it appropriate to share this image with you today and wish everyone a very Happy Thanksgiving.
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Black Friday Special – All prints & products in my gallery are 20% Off. Use discount code Thanks2012
This is another image that I shot at my Close-Up Photography workshop last weekend. After processing the RAW file in colour I felt that this image would be a good candidate to make into a fine art B&W image. When I posted the first image I took at the workshop (which you can see here) I was asked by some of you which lens I used and my settings.
Everything was shot with natural light and the use of reflectors.
- Canon 7D
- Tamron f/2.8 90MM Macro
- Gitzo Series 1 Traveler Carbon Fiber Tripod (my new baby, I’ll have a review on this next week)
- Markins Q-Ball Q3 Traveler Ball head
- Canon RS-60E3 Remote Switch
This image was shot at f/2.8, 1/8s ISO 100
After I processed the RAW file in colour I felt that this image would make a good candidate for a fine art black and white conversion. So know I ask for your opinion, which do you prefer 1) Color 2) Antique B&W (created with OnOne Perfect Effects) or 3) B&W created with Topaz B&W Effects Don’t forget you can save 15% on all Topaz products by using the discount code “ELPhoto” at checkout.
Click on the images to enlarge (they really look better) or to Purchase a Print.
I don’t do a lot of macro or close-up photography, but like most of us, I’m always looking to expand my skills. This weekend I participated in a close-up photography workshop with photographer Julie Waterhouse. Julie is a skilled photographer and teacher with a keen eye for detail and an infectious attitude towards learning and discovery. I really enjoyed getting out of my comfort zone and trying different things during the workshop and if you’re not familiar with Julie I encourage you to check out her website or sign-up for her free photo-tips newsletter.
I’m still working through processing my images so you’ll see more in the coming days but here’s the first from this weekend’s workshop.
Click on the image to enlarge (it really looks better) or to Purchase a Print.
Sorry about the post title…I was trying to come up something a little bit more unique and witty but unfortunately I was having one of those creative-title-creating-uninspired mental blocks. Fortunately though I was feeling a little bit more inspired when I saw this lily as the sun was setting the other day. The top petals were a bit wilted but the base of the lily was standing straight up and the light from the setting sun was shining right through.
Click to enlarge or to purchase print.
Talk about good timing. If you’ve been following this blog for a few months, you’ll know that I purchased a new Tamron 90mm Macro lens over the Christmas holidays. I’m really enjoying this lens but quickly realized that I had a bit of a learning curve when it came to macro photography. Understanding depth of field and focusing techniques when getting very close to a subject isn’t as simple as one might think. I’m still working on mastering macro photography but I still have a lot to learn so the release of Craft & Vision’s newest ebook, Up Close – A Guide to Macro & close Up Photography by Andrew S. Gibson couldn’t have come at a better time.
Gibson really covers all his bases in this new ebook. He discusses the different types of equipment that you can use in close up photography from the obvious macro lens, extension tubes and close up lenses to the reverse macro lens. This was completely new to me. I had no idea that you could take a lens and with a simple reversing ring mount the lens with the front element attached to the camera in order to increase magnification. What I really useful was his detailed overview of the advantages and disadvantages of the different tools.
In the latter part of the book Gibson discusses technique and lighting and this is really the meat and potatoes of this ebook. Focusing, creating sharp images and depth of field are techniques a photographer must understand in order to create stunning macro images and through his detailed explanation of all these topics and more photographers of every level will find they’ve just learned something new.
Included in the book are two case studies featuring the gorgeous close-up work of photographers Mandy Disher and Celine Steen that will really inspire you to explore smaller worlds.
I’ve always said that Craft & Vision books are a great value and Up Close is no exception. For the next six days only, the PDF version of Up Close is just $4, use the promotional code CLOSE4 when you check out OR use the code CLOSE20 to get 20% off when you buy 5+ PDF eBooks from the Craft & Vision collection. These codes expire at 11:59pm PST June 24, 2012. Click Here to Purchase